The rectangular form was created using an embossing technique, with a clearly defined, multi-layered frame. The central panel is surrounded by a composition of small rosettes and stylized animal motifs – silhouettes resembling deer or goats are arranged symmetrically around the center. The ornamentation is narrative in nature and stems from nomadic tradition.

The upper part is finished with two massive decorative handles, which also serve a structural function. These box-like pendants were worn as amulets or containers for small items of symbolic significance. The form is closed, solid, and clearly functional.

The metal surface shows natural signs of time – abrasions, subtle dents, and patina. Hand-crafted workmanship, irregular lines, and subtle differences in the depth of the embossing are visible. This is an item that was part of a real outfit, not a contemporary styling inspired by ethnography.

The pendant looks best as the centerpiece of a massive necklace or as a collector's item with a clear cultural context. The subdued colors and dense relief give it a calm, yet decisive character.