The elaborate opera-style form is constructed of braided, twisted brass links that form a wide, descending arc around the neck. The structure is flexible and softly drapes on the body, yet at the same time creates the impression of a visually heavy, ceremonial piece of jewelry. This isn't a subtle addition, but a distinct, dominant accent.

The bottom line of the necklace is trimmed with a dense row of elongated, hand-cut leaf-like plates. Each element moves independently, reacting to the slightest movement. On the sides are visible settings with red glass – small but intensely colored points that break up the harshness of the metal.

The central part concentrates the weight of the composition: several chains ending in spherical bells flow from the rosette. The metal has a natural patina, with some abrasions and signs of use, confirming the age and authenticity of the piece. This is jewelry that was worn—not stored.

This piece represents the distinctive Hazara aesthetic: richness of form, layering, sound, and movement. It looks best on a simple, plain fabric, where it can resonate fully. A vintage piece with a distinct, tribal character.