A segmented structure composed of interconnected panels creates a flexible, nearly half-meter-long band that drapes vertically beneath the neckline. Each module is adorned with colorful glass beads in shades of red, green, and blue, set in brass frames. The metal surface has a natural patina, abrasions, and micro-marks of use – these are not defects, but rather a testament to the item's life.

The lower section ends with a dangling rosette with tiny bells and a geometric connector. The elements move freely, reacting to the body's movements. This jewelry is not a subtle accessory – it serves as a focal point of the outfit, shapes the silhouette, and attracts the eye.

The back features metal clips designed for attachment to openings in clothing – shirts, caftans, traditional garments with wide eyelets. This form is not intended to be worn classically around the neck like a necklace. This is a tie-type pin, worn around the neck and hanging down the torso.

This piece is damaged – one fastening tab is missing. The piece can be securely attached with an additional pin or safety pin, but it is sold as an incomplete piece. For collectors of authentic tribal jewelry, this defect is a technical detail, not a detriment to its historical value.